Quavo's $250,000 Grillz
Although rarer, emerald-cut diamonds are less expensive than round or princess-cut diamonds; the same cannot be said for Quavo's new emerald-cut grillz.…
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Slick Rick is the king of look marketing. Young fans might not recognize his music, but you can be sure they know what he looks like. In an industry where you need to have a "look" in order to get booked, Slick Rick is a true OG. Before colorful dreads and face tattoos, Slick Rick was rocking his eye patch. He also has a dope jewelry collection. He has floor-length chains, diamond-encrusted eye patches, and much more. He showed us his drip, displaying everything for GQ in a new video.
In the past, rappers like Quavo and others have showcased their collections for the GQ series and it is high time that the real OGs stepped up. Slick Rick was in the building while he showed his bling bling jewelry to the camera. In the video, he goes back a few years to show his older pieces, then returns to the present day where he continues to collect diamonds. Slick Rick is known for buying the biggest piece at the store he is in; he loves walking away with a heavy weight around his neck. Slick Rick also showed off his Gucci-link chains, his magnificent medallions, and his luxury watches.
Slick Rick says: "I always knew jewelry would be important today, so I got a head start on you all."
His collection, as he presents it, is based on a simple idea: jewelry is part of the outfit, just like clothing. Very long chains, medallions, watches, old pieces kept alongside newer ones — the whole thing reads like a wardrobe, not a series of isolated purchases.
This is what distinguishes a constructed collection from an accumulation. The pieces he shows cover several registers: the wide Cuban link for volume, the Gucci link for the design, the medallion for the narrative. Each has a function, and none seeks to replace the others.
Another striking feature: yellow gold as a common thread. When a metal dominates an entire collection, the pieces can be combined without thinking, and the set almost composes itself. This is the principle we detail below.
The OG look relies on a clear hierarchy. One piece leads, the others accompany. In a collection dominated by yellow gold, the leading piece is almost always the chain: it is what sets the reference width for everything else.
Once the chain is chosen, the bracelet is sized to a width close to or slightly less, and the ring closes the ensemble. A bracelet wider than the chain unbalances the silhouette: the eye drops to the wrist instead of staying on the chest.
Matching a bracelet to a chain seems obvious, and that is precisely why the exercise often fails. Two pieces that are strictly identical in link style, width, and finish do not create a set: they create a repetition, and the eye drifts away.
A successful set relies on a controlled gap. Same metal, same family of setting, but a variation somewhere: the width, the link style, or the density of stones. It is this gap that gives the impression of a considered ensemble rather than a batch bought in bulk.
The second trap is the accumulation of mass. A wide chain plus a wide bracelet plus an imposing signet ring equals three pieces demanding the same attention. The result looks heavy, even when each piece is beautiful when taken in isolation.
| Combination | Effect achieved | Verdict |
|---|---|---|
| 12mm chain + 12mm bracelet, same link, same setting | Mirror effect, repetitive reading | Works, but reserve for very sober outfits |
| 12mm chain + 10mm bracelet, same link style | Clear hierarchy, the neck remains dominant | The safest bet |
| Cuban chain + baguette bracelet, same metal | Dialogue between two light textures | Excellent when the metal is identical |
| Wide chain + wide bracelet + wide signet ring | Three focal points that neutralize each other | Avoid: lighten one of the three zones |
| Yellow gold chain + white gold bracelet | Break in color temperature | Possible, but requires a reminder of the second metal elsewhere |
| Two layered chains + a thin bracelet | Volume concentrated on the chest, wrist lightened | Very effective on a solid outfit |
A simple way to check: mentally distribute ten points of attention between the neck, the wrist, and the hand. Six at the neck, three at the wrist, one at the hand gives a readable silhouette. Three equal zones give a confusing silhouette.
Four yellow gold pieces that converse without copying each other: a Cuban link to lead, a coffee bean link for variation, a baguette bracelet for the wrist, and a letter signet ring to sign the hand.
The starting point remains our complete guide to American rapper jewelry: chains, pendants, grillz, watches, and glasses are detailed one by one, with the width, length, and metal benchmarks essential before composing a set.
To continue: how to wear a good jewelry collection in 3 steps extends this exact subject, the importance of the gold chain in men's fashion puts the piece in its history, and the jewelry sizing guide helps to set widths and lengths. In this blog, Eliantte, expert jeweler shows how a workshop composes a piece.
As for the catalog, the hip-hop jewelry set collection gathers ensembles that are already coordinated, and diamond bracelet allows you to find the right wrist width.
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